Projects

At Giddy Goat Games, I animated over 75 shots for Billie Bust Up, a stylized musical 3D platformer with a strong narrative focus. My work included cinematic cutscenes and musical sequences, emphasizing expressive, cartoony character acting, all done remotely.

While most of my shots are still unreleased, the trailer offers a preview of the game’s style and tone ahead of its upcoming launch.

During my time at Studio Zubio, I led animation for Bunderkin, shaping its style under Stephen Candell's guidance. While unreleased shots prevent their inclusion in my reel, I focused on creating a dynamic, cartoony aesthetic marked by clear poses. Below is a short character run cycle I animated for the show.

Also during my time at Studio Zubio, I was part of the team for Vida De Mia, where I played a pivotal role in crafting realistic animations. Delving deeply into the nuances of human behavior, I aimed to infuse the virtual influencer with an authentic sense of realism. Below is one of my earliest Mia animations.

Horizonauts is a sci-fi indie project where I serve as a Creative & Production consultant as well as a 3D animator. Under the direction of Andy Ortiz, a colleague of mine and brilliant 2D animator, this project is shaping up to be something really special. Currently in production.

Now That I'm Thinking is an award-winning, deeply introspective and thought-provoking short film that isn't afraid to be funny. My colleague David Gelfand directed the film and I was responsible for some animation, additional writing and executive production.

I worked freelance on the Mulholland Drive music video for Eyedress, contributing stylized animation and layout for numerous shots. Working closely with David Gelfand and under the direction of Josh Parsons at BrainTickle, the project involved translating Eyedress's creative vision into a distinct old video game aesthetic.

In 2022, I co-directed (alongside Andy Ortiz), produced, and animated on "Out O' the Inkwell," my award-winning senior thesis film. It's a testament to collaboration and pure love of the craft.

While at SCAD, I animated a shot for the charming and comedic film, Pirate Lesson. Despite contributing to just one scene, it was an enriching experience to be part of such a standout project. The film's distinct humor and visual style made it a joy to work on, and I'm proud to feature my contribution in my reel.

Outside of my coursework at SCAD, I volunteered my time to work on 'Le Rendez-Vous Des Arts,' an independent animated short film directed by Walter Rastelli. While the shots I contributed aren't on my reel anymore, this project remains pivotal in my journey. Collaborating with animators worldwide, I gained insights into teamwork, creative problem-solving, and the animation process intricacies.